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  kelvin: Thanks Justine for you kind encouragement. will certianly keep doing more better pics..  
  2012-04-04 11:05 PM  
  Justine: nice pictures! more than nice actually. they seem to capture the essence of the places you photographed; keep doing what you're doing. :) ;)  
  2012-04-04 09:31 PM  
  Andi: my h/p 0196680671  
  2012-04-04 02:51 PM  
  kelvin: Hi Addy, thanks for dropping by my site here  
  2012-02-28 05:25 PM  
  Addy: hi...  
  2012-02-28 04:03 PM  
  : Hi Dicky; No plan yet , will depend on local Nikon request. Will love to be back in Tawau.  
  2012-02-25 04:57 PM  
2012-05-21 06:46 AM
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2012 05 19 The making of Nikon 1 advertisement Comment (0)

On assignment:

The picture you see in the advertisement is usually not what it seem to be. If you take a look at camera advertisements, you will see pictures featured in the advertisement are rarely shot with the camera it featured. During the analog film period commercial studio was using medium format camera with film, which later turned digital when digital-back is available. Pictures used in the camera advertisements promoting compact and DSLR cameras were shot in either film or digital-back format. It’s only much later when DSLR become good enough for commercial studio requirement that changes the way we work but even then the picture used is not necessary shot with the brand it’s promoting.

The latest Nikon 1 advertisement is an exception as the series of pictures were shot with Nikon cameras. The main picture was shot using the Nikon D3x, as we needed a file big enough for various medium and usages. The pictures to illustrate the camera features were shot with both Nikon 1 J1 and V1.

The picture featuring the model was shoot on location but the initially planned 1 main picture became 4 as we wanted a changed of wardrobe and using 2 different locations. With 4 sets of wardrobe and 2 locations I was worried we will not be able to complete before the sun become too harsh by noon. Shooting on location locally is always a challenge due to our weather conditions. When it involved talents this is even more stressful as any changes to the schedule will be costly. For this shoot we have 1 make-up artist, 1 wardrobe stylist and a couple of photography assistants and using an air-con truck for mobile makeup and wardrobe change.

Shooting the first scene always took longer as we need to adjust lightings and angle and getting the talent to warm up. Shooting with an experienced talent will make it easier as they will need very little guidance once we brief them on the role they have to portray. Then it’s just a matter of shooting hundreds of pictures for the client final selection.

By the time we started taking the last change of wardrobe it was close to 12noon with the sun right above us. Extra lights and reflectors were needed to fill up the harsh shadow on the model face but it also became too glaring making it difficult for the model to concentrate on her pose naturally as the sun gets into her eyes.

While Brandon, the commissioned photographer was shooting the main pictures I was taking behind the scene shots with the Nikon 1 V1. These were eventually used to illustrate the camera features in the advertisement. The fireworks picture was shot at Desa Parkcity on New Year eve using Nikon 1 V1 and the cat was shot in a pet shop in Chinatown using the Nikon 1 J1. The scene of Bukit Bintang was shoot just after sunset when the street lighted up with the sky still in shade of blue without tripod but using a slower speed enough the capture the movement of the monorail.

 

 

 
2012 04 05 The Sun paper Comment (0)

Capturing landscapes

By: Yee Jie Min

jiemin.yee@thesundaily.com


 

The best landscape shots, like those featured in calendars, can leave us breathless with their sheer beauty and soulfulness. They are so effective it’s often like looking out of a window and beholding a part of nature that can leave us in awe.

 

There is no mistaking though that many elements come into play in delivering a picture that moves us. Composition, lighting, technique—these are some of the factors that determine how a photograph turns out, and a good photographer would know that the best landscape shots are effective in showcasing nature in all its glory. But whether it is mountain, sea, snow, or sand that is the subject, pictures that are inspirational in their appeal are not beyond us—not when we have the tools, the technique, and the motivation.

 

Surreal tranquillity

This picture taken in the wilder Xinjiang, China by professional photographer Kelvin Chan, is evocative in its tranquillity what with its surreal quality. Chan has been photographing for calendars since 2002 and has travelled to more then 20 countries in pursuit of inspiring landscapes.

 

 

Anyone can take pictures, but it takes creativity and skill to produce a visual that is evocative and brilliant. Capturing landscapes does require a lot of patience. A lot of time is spent planning ahead. For instance, you’d have to properly manage you time in order to get the kind of lighting needed for your visuals.

 

In capturing landscapes, always try to put some point of interest in the shot. For example when capturing the sea, coconut trees and seashells will add interest to your photo. Photographing a mountain, you can include a landmark or a sign which would capture the viewer’s attention. Think of it as story-telling.

 

Those were the words of professional photographer Kelvin Chan. Here, he provides more advise on capturing landscapes:

 

Equipment

Although small, compact cameras can take good landscape photographs but mirrorless cameras and DSLRs capture better pictures. Mirrorless cameras like the Nikon1 can take better quality photos compared to a compact camera because of its interchangeable lens and sensor. This type of camera is a good start for those who find DSLRs overwhelming and bulky.

 

Nevertheless, what makes the picture different is the lens. For landscape photography, you need to use a wide angle lens in order to capture the emotion of that landscape. I would suggest getting a DSLR for those who are serious about photography because you will notice the difference in the picture.

 

Besides that, you can try using filters and the most popular one is the polarising filter or what we call a PL filter. This filter is amazing because it can make a blue sky bluer. This allows you to rotate it and at certain angles, it helps cut off sun flare making the colours richer and saturated. It is also important to bring a good, steady tripod when shooting landscapes.

 

Camera Settings

Aperture refers to the lens opening and when shooting landscapes it is advised to use a small aperture. An aperture of f/1.4 is considered a big aperture although the number is small and usually we use anything above f/16 for landscape photography to get maximum depth of field.

 

Some people find white balance complicated but built-in white balance in DSLRs today are quite accurate. White balance controls the colour temperature in a picture; it allows you to choose how warm or cool you want it to be. For landscape photos, I try to keep it as original as possible especially if the natural landscape looks great. However if the picture is for commercial use, you might want to adjust the settings or do a little post-processing later.

 

Shutter speed is determined by the light at that moment and the aperture settings. If the aperture is set at f/16, I would need a slower speed if lighting condition is low. Another option is to change the ISO (light sensitivity) if you need to maintain the aperture and speed. For landscape photos, we don't use a high ISO setting because it increases the chances of getting a grainy photo. Usually I will use the lowest setting possible on the camera such as 50.

 

In order to get the right exposure, you will need to use the camera’s built-in light meter. Some photos look washed out because the exposure is not right and to get it right, you need to aim the light meter at the spot you want to get the precise colour.

 

All the above are sort of a guide but no one said you cannot break the rules. When you are a beginner you learn these basic rules but at some point you need to break it to create your own style of photography.

 

Composition

Composition is not difficult to master. To me, it is a very personal matter. You can be at the same place, taking the same photo but your shot will be different from others because of the personal aspect. The most common composition is the Rule of Third.

 

In a landscape photo, you don’t want it to be half sky and half ground. You would want either the sky or ground to be a third of the photo. Important elements in an image should be placed along the lines or their intersections.

 

But this rule can be an exception when you want to shoot a photo with a mirror effect. Therefore I cannot say we must follow the Rule of Third; it depends on the photograph you want to achieve.

 

 

 
2012 03 15 Faces magazine Feb-march 2012 Comment (0)
Part of the collection of people shot for Faces.


Alan Yun- Actor, commercial talent


Sofia Goh - Student/Model


Fiqrie - RED FM DJ/TV host

 
2012 03 06 Wang Lee Hom Comment (0)

Music Man II lives in Kuala Lumpur
My third Lee Hom concert over the years and I am not getting enough cos this time we were given a position that is way too far. Using a Nikon 400mm f/2.8 I could only get Lee Hom to fill about half the frame. And the stage is rather dark due to the video projection on the backdrop.








 
2012 02 25 Magic Mirror The Musical 2011 Comment (1)

The first time I shot this Musical was in 2008 when they performed in Genting Highland. As the show was on for couple of weeks I managed to cover a few of the shows and was better prepared for the different scene after shooting the first show. But for this time a group of us have to shoot during the video taping of the performance, which made it even tougher as we were not allow to move around or get nearer to the stage since the video camera will be moving.

 

Having a fast lenses and camera with good ISO capabilities is vital for this type of photography as flash is not allow and some of the scene can be very dark with sudden burst of spotlights. I usually do a manual spot metering first and make sure my speed does not fall too slow. But for some of the scenes the whole stage can turn into a shade of red or orange or almost totally dark with just a follow spotlight on the performer. Thus I have to constantly check my exposure and speed. When the stage is not bright enough and the dancers are moving too fast I purposely slow down my speed to capture the image in a swirl of movements. But this can be tricky and need some luck as I got only 1 chance to capture this.

 

The latest show has some changes from the original performance as some scenes are modified or totally changed. While I like the earlier performance, the latest show has some interesting scenes as well. But its still a commendable show worth catching.




Presented by:
Yayasan Guan Yin
www.guanyin.org.my
 
2012 02 20 Sultan Street Comment (0)

Kuala Lumpur

 

On the 5th of February 2012, the stretch of Sultan Street was lighted up with hundreds of candles and lanterns but soon Sultan Street will be purged into darkness once the proposed MRT line bulldozed through these century-old buildings and street.

This century-old street, which is an important part of KL development in the past will soon disappear in our map and history book. Are we so ashamed of our past that we need to erase it. ?

Photos taken with Nikon 1 V1

 

 
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